Young Mendelssohn, Young Love, and a Piece That Tastes Like Sugar Lifted by Air

There are some pieces of music that don’t just sound — they taste.

Mendelssohn’s Rondo Capriccioso tastes like sugar lifted by air — sweet, delicate, and in motion.


The Spark of Genius at Sixteen

Felix Mendelssohn was only sixteen when he composed the Andante in E major — a piece of astonishing sensitivity and maturity.

It began as a stand-alone work: poised and reflective, revealing a young composer who already understood grace, balance, and emotional depth far beyond his age.

This early work hums with restraint — a quiet, lyrical expression of tenderness that feels both youthful and timeless.

A Meeting in Munich

A few years later, Mendelssohn met Delphine von Schauroth, a gifted young pianist in Munich. His sister, Fanny Mendelssohn, mentioned Delphine in her letters and hinted at Felix’s admiration.

After that meeting, Mendelssohn revisited his earlier Andante, added a brilliant Presto section, and published the completed work as Rondo Capriccioso, Op. 14, dedicating it to Delphine.

Whether that dedication reflected affection, inspiration, or simple artistic respect — we can only guess.

What’s certain is that the finished work captures both poise and passion — a dialogue between inward reflection and radiant freedom.

A Taste Like a Madeleine

I like to imagine this music as a Madeleine — elegant, European, and sweet without weight.

The kind of sweetness that lingers, then disappears into a trace of warmth rather than sugar.

  • The Andante feels like a quiet confession — poised, mature, and deeply emotional for a sixteen-year-old.

  • The Rondo (Presto) bursts forth with brilliance and vitality, like cotton candy spun into motion — light, dazzling, and impossible to hold still.

  • Each phrase gleams with joy and clarity, as if Mendelssohn were celebrating the sheer pleasure of motion itself.

A Whisper Across Time

I first learned Rondo Capriccioso when I was ten years old — long before I knew its history.

Even then, it felt alive, as though Mendelssohn’s youthful spirit had reached across time to whisper:

“Play with joy.”

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